Grades, the Curve, and Questions
Folks,
If you’re wondering why you got the grade you did, there are a few things to consider:
- It’s possible that I was forced by the University Administration to give you lower grade than you really earned. This unfortunate requirement by our university is, sadly, common across Korea in Universities. It is, in my opinion, unfair although I can understand why it might have become necessary at some point in the past. In any case, regardless of my feelings and regardless of the quality of your work, there are limits to how many As and Bs can be awarded to students in classes of 20 or more students.
The curve, combined with the inept management of this system, in handling students who drop courses, is the cause of a lot of frustration and anger, and also of painful feelings, every semester. It hurts me to give students lower grades than they have earned, but I cannot do otherwise: the computer doesn’t allow me to enter more than a limited number of As and Bs, and all I can assure you is that I work from the highest grades to the lowest to make sure that the grading is as fair as possible, given the unfair system.
If you doubt my anger at this system, or my frustration at its unfairness, then please feel free to visit me sometime during semester and we can talk about it. I will turn red in the face very quickly, and probably start shouting at the walls within ten minutes. I hate this system, but there seems to be nothing I can do about it. Maybe as students, you can do something about it?
- The University’s definition of “classes of 20 or more students” is also problematic. Students who stop attending but don’t bother to drop a class are counted as a member of the class. This is relevant for my Listening & Speaking class this semester, in which there were only 19 students in the course, but 23 on the class list. While I cannot publish the names of the students who quit attending the course but didn’t bother to drop the course officially, they are the problem in this case. I’m told that there is nothing I can do, and therefore a number of students deserving of As and Bs received Bs and Cs.
- It’s possible that you missed some specific homework or other factor. Some students performed extremely well on major course tasks, but participated poorly. Some students participated well but missed a few homework assignments. A and A+ grades are for students who excel in all aspects of the course, managing assignments, participation, performance on exams or essays, and so forth. Indeed, not all completed homework assignments are equal: a checkmark is okay, but a check-plus is better, and a check-plus-plus is the optimal score. Missing small assignments seems like a little thing, but it adds up. Doing small assignments just well enough to receive a check-mark (but not check-plus or check-plus-plus) is simply not competing with others for the chance to receive the limited A and B grades available in the class.
- When it comes down to a choice between two people of the same grade for the last A or B available, then all things being equal, class participation, engagement with course topics, and quality of homework are always more important than attendance, exams or essays.
- If you stumbled in a major way — not coming to a midterm or final exam, missing more than ten hours of class (which is my limit), didn’t participate once in class, or otherwise, then you should receive an F, plain and simple. If you didn’t, then be grateful! If you ask me to reconsider your grade in that case, you’ll probably receive the F you deserve!
To sum up: I spend hours and hours every semester grading, tracking grades, inputting grades into my system, thinking about participation marks, and thinking about how to improve my system for grading each of my classes. While I think grading and grades are detrimental to education, I take them seriously, I work hard to make sure they are fair, and I spend a lot of time on them. So before you ask me whether you got the grade you deserve, please think over what I’ve written above. Check out this page, too, for more observations on grading.
One last thing: if you got a grade lower than you would like in my class, it doesn’t mean getting the grade you want is impossible with me. A number of students who have gotten Cs, Bs, or even A0s with me have gone on to get A+ in a later class, when they are more used to my teaching methods and ready to work at it. So please don’t give up! You can do it, and I am eager to work with you.
I hope you all had a wonderful Christmas (I was grading!) and a marvellous New Year’s! Good luck, and hopefully I’ll see you next semester.
Sample Reaction Paper, “A Coyote Columbus Story”
It’s a bit late, but here it is!
Jaewon’s Guide
Hi folks!
Here’s Jae Won’s guide to making Such a Long Journey work in Gom player.
We can see the movie “Such a Long Journey” after changing Gom option.
1. Click Gom player.
2. Click right button of mouse, and choose option(환경설정)
3. Choose Filter option(필터옵션)
4. Choose “‘Wm ASF Reader’를 사용하여 재생
5. Close the option(닫기)
6. Run the movie.
I attached a picture which is contained how to change the option.
I hope to everybody can watch the movie as soon as possible.
Here is the screenshot he mentioned (click to see it bigger):
I hope this helps!
Otherwise, try VLC.
Such a Long Journey
Hi folks.
It turns out the main office is closed in the evening. I thought this was a temporary change, but it looks permanent. Jaewon was nice enough to provide some file storage at Clubbox, so you can download your version of the film we watched today, to watch again before next class.
Here is the film. You don’t need to be a Clubbox member — though the download will be faster if you are one! — but you do need to use Internet Explorer in Windows. (Clubbox uses an old-fashioned ActiveX control so it won’t work in Firefox or other browsers!)
Remember, this is for educational purposes and delete the film (or buy it) after we’ve finished the semester. (But hang onto it for a while, as we will come back to the movie later in semester and talk more about it.)
About the list of things I asked you to think about, here are the ones I mentioned in class, plus a few more:
- the history and background of this story in Bombay (now Mumbai) during 1971, during the outbreak of the Bangladesh Liberation War. The history of the bloody and painful Partition of India is probably also somewhat relevant though it is not directly discussed. By the way, this is the Prime Minister who is mentioned and whose voice is heard on the train, declaring this war.
- the conversation that Dinshawji and Gustad have about whether names are important, and the changing of names in India at the time (from European to Indian names, generally… Bombay changing to Mumbai is an example that came later…)
- the interaction between Lohri (the secretary) and Dinshawji (the old friend): what is going on in their interaction? Does her fashion suggest anything interesting about her character and differences related to other characters in the story?
- the relationship between Sohrab (the oldest son) and his father Gustad
- the significance of Tehmul among the other Parsis in the building where they live
- the meaning of all the black magic being used by the woman upstairs
- the significance of the wall, from the beginning to the end of the story, with special attention to the image of the wall that is painted on the wall itself and what happens to it at the end
- the sense you get of how Gustad and the other Parsi people live in a multicultural India — if we can agree that India is multicultural(and if not, why not?)
- the fact that this film is a Canadian-Indian co-production directed by an Icelandic-Canadian using a script written by an Indian writer who attended Harvard and NYU and is now living in Mumbai, and the film is based on a novel by an Indian-born novelist who emigrated to Canada in 1975 and is now considered on of Canada’s most important novelists
You don’t need to think about all these things, but be ready to talk about a few that you find most interesting. The question of the wall is the one I find most interesting, by the way. But we’ll try to get to most of the points, with extra time next week if we need it.
Finally, of course please prepare a preparation paper as usual, just like you would for the discussion of a text you have read. (We can call a film a “text” since we must “read” it… that’s what literature professors who study films call them, anyway!)
First Homework!
Hi there!
I’m running a little bit behind, so I’ll post the syllabus and other first-week stuff for this course tomorrow. But for now, your promised homework:
- for Monday, Sept. 14th: read this PDF of my story “Pahwakhe.” (Or listen to the MP3 of a reading performed for a podcast, though be warned, there is a very long introduction to the story.) And while you’re at it, review this wikipedia article on the notion of The Death of the Author. (It’s an essay by Roland Barthes, and if you really want, you can read the essay here, but the idea itself is the important part so the Wikipedia article should be good enough!)
You should have received a message from our department’s office assistant regarding the reading materials for next week. I think they are available available at the campus print shop now, and probably were earlier today as well; you have to pay for the cost of the copies since the Pico Iyer is quite long. The readings included in this first batch are:
- two poems –”City Lights” and “The Merchant’s Song,” both by Roo Borson — for September 16th.
- one long essay by Pico Iyer titled “The Multiculture” (from his book The Global Soul) for September 21st/23rd.
Remember the standard procedure for all readings: you must write up your reaction to what you have read, including questions, thoughts, your reaction, and a sense of the main themes, issues, and ideas of the text we are discussing. The text should be at least 250 words (approximately one page of double-spaced text), but if you want a good grade, 500 words (approximately 2 pages of double spaced text) is a better length to aim for to allow you to explore more deeply and prepare more effectively.
You will submit one such writing for every text we read and discuss in class.
For more information on proper formatting for written work in my classes, please see here.
